For the last few days I have been busy installing and fussing around with the new version of Ubuntu Linux, the operating system I use. Sometimes I wonder why I bother with it, but at least, in the end, I managed to un-break my computer (again).
I did manage to get a little reading done, namely book two of the Aeneid and Twelfth Night. I want to finish the former by the end of the month, of course, and I am going to see a performance of Twelfth Night on Sunday so I want to read the play first. I am starting to get into it -- it is Shakespeare -- but I have a stinking suspicion that Shakespearean comedies have lost most of their gusto during the last few centuries. Most of his jokes have to be explained, then they are much less funny and it throws off the whole flow of the play. Many times while reading, I could almost see the wry smiles on the character's faces -- I know it is funny but I do not know why. Just another way Shakespeare makes children of us all.
I also suspect that Shakespeare was not a masterful comedian, even in his own day -- and yes, those grapes probably are sour.
But, but, this is the first of his comedies that I have read (and I'm not even finished), so allow me to zip up my tongue for now, and blab it away a few months from now.
Wednesday, October 7, 2009
Sunday, October 4, 2009
First Thoughts on the Aeneid -- and more
Four days into "Roman October" and I don't have a ton to show for it in the reading department. I have managed to finish the first book of the Aeneid and am nearly done with a slim book called "The Collapse and Recovery of the Roman Empire" by Michael Grant.
On The Aeneid, I do not feel at all qualified to critique this hallowed and ancient piece of literature -- and yet I will. Personally, this first of its twelve books has left me cold. Perhaps it is the translation, but it simply does not ring "epic" in my ears, nor does it jump out as a masterpiece. Furthermore, I can already see that it leans towards real history and away from the exciting mythical aspects that color Homer's works and modern children's books alike, which comes as a bit of a disappointment to me.
I will, of course, stick it out to the end. I have no qualms about setting down an acknowledge classic (everyone has different tastes, I say) but this one has too much going for it in my eyes. It is quite possibly the pinnacle of Roman literature and I feel I should have read it long ago. If I can spend so much time reading my usual trash, I suppose I can free some space in my schedule for a classic or two.
But now, from classic to trash. Michael Grant, well-known and acclaimed writer of books on Ancient Greece and Rome for the popular audience, apparently likes money. At least enough to charge exorbitant amounts for many of his books. In particular, this 150-page hardback, "The Collapse and Recovery of the Roman Empire," costs $30 and is basically a recycling ground for some of the author's previous work. If you were to tally the number of original words Grant wrote for this book, (not including the appendix) I am sure they would fill less than twenty pages.
Organizationally, the book is an absolute mess -- he repeats himself to the point of disgrace. And the book never goes anywhere: he says basically the same thing in the Epilogue as in the Introduction and I, the reader, am not in the least convinced by his conclusions. These assertions are not particularly radical, but he does a terrible job of proving them with, you know, facts and words and stuff.
On The Aeneid, I do not feel at all qualified to critique this hallowed and ancient piece of literature -- and yet I will. Personally, this first of its twelve books has left me cold. Perhaps it is the translation, but it simply does not ring "epic" in my ears, nor does it jump out as a masterpiece. Furthermore, I can already see that it leans towards real history and away from the exciting mythical aspects that color Homer's works and modern children's books alike, which comes as a bit of a disappointment to me.
I will, of course, stick it out to the end. I have no qualms about setting down an acknowledge classic (everyone has different tastes, I say) but this one has too much going for it in my eyes. It is quite possibly the pinnacle of Roman literature and I feel I should have read it long ago. If I can spend so much time reading my usual trash, I suppose I can free some space in my schedule for a classic or two.
But now, from classic to trash. Michael Grant, well-known and acclaimed writer of books on Ancient Greece and Rome for the popular audience, apparently likes money. At least enough to charge exorbitant amounts for many of his books. In particular, this 150-page hardback, "The Collapse and Recovery of the Roman Empire," costs $30 and is basically a recycling ground for some of the author's previous work. If you were to tally the number of original words Grant wrote for this book, (not including the appendix) I am sure they would fill less than twenty pages.
Organizationally, the book is an absolute mess -- he repeats himself to the point of disgrace. And the book never goes anywhere: he says basically the same thing in the Epilogue as in the Introduction and I, the reader, am not in the least convinced by his conclusions. These assertions are not particularly radical, but he does a terrible job of proving them with, you know, facts and words and stuff.
Friday, October 2, 2009
Irrelevant Fridays!
Yay! The first weekly feature of this blog is now here: Irrelevant Fridays. Consider it an off day, a day I will use to post whatever strikes my fancy -- I aim for interesting, but I am not always the best shot. *smiles*
First up, a poem. Written by an assistant professor at MIT, and all-around smart guy (in a science-y kinda way) Scott Aaronson, it is a cute little rewrite of Walt Whitman's "When I Heard the Learn'd Astronomer" -- from the other side of the thinking-fence. As a former engineering student who now reads poetry, I am intimately familiar with the endless conflicts between the arts and sciences. It is fertile ground for thought. But for now, enjoy:
When I Heard the Learn'd Poet by Scott Aaronson
When I heard the learn'd poet,
When the Freudian symbolism, the Biblical allusions, were ranged in columns before me,
When I was shown the themes and styles, to analyze, categorize,
When I sitting heard the poet where she lectured
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander'd off by myself,
In the rational dry night-air, and dropped my copy of Leaves of Grass off a cliff,
And correctly predicted that it would hit the ground in 3.82 seconds.
(To see this poem side-by-side with Whitman's original, visit Aaronson's homepage )
First up, a poem. Written by an assistant professor at MIT, and all-around smart guy (in a science-y kinda way) Scott Aaronson, it is a cute little rewrite of Walt Whitman's "When I Heard the Learn'd Astronomer" -- from the other side of the thinking-fence. As a former engineering student who now reads poetry, I am intimately familiar with the endless conflicts between the arts and sciences. It is fertile ground for thought. But for now, enjoy:
When I Heard the Learn'd Poet by Scott Aaronson
When I heard the learn'd poet,
When the Freudian symbolism, the Biblical allusions, were ranged in columns before me,
When I was shown the themes and styles, to analyze, categorize,
| and criticize them, |
| with much applause in the lecture-room, |
Till rising and gliding out I wander'd off by myself,
In the rational dry night-air, and dropped my copy of Leaves of Grass off a cliff,
And correctly predicted that it would hit the ground in 3.82 seconds.
(To see this poem side-by-side with Whitman's original, visit Aaronson's homepage )
Thursday, October 1, 2009
October Reading List
It is the first day of a new month, an event that has always held an odd significance with me and my family. I suppose it is no more odd than many of our holidays, official and unofficial -- I celebrate Christmas and I am not even Christian , and New Years Eve is truly the granddaddy of new-month celebrations -- but it always feels strange to celebrate a day whose only significance is rooted in an arbitrary calendar system. Such thinking brings to mind the modern, Gregorian calendar, which inevitably leads to thoughts of the Julian calendar and then the Romans in general.
Which, naturally, brings me to the topic of this post: what am I gonna read in October?
The Roman-themed intro should furnish some clues - the Goodreads widget on the right should supply even more. Yes, I have been on a little Roman kick since early August, really a rebirth of my enthusiasm for the topic during high school, spurred on by an extremely enthusiastic Latin teacher.
After reading mostly straight history in September (see my recent reads -- I hope to have reviews for all soon), I have set October aside to explore some of the literary side of Rome. The tentative list:
Which, naturally, brings me to the topic of this post: what am I gonna read in October?
The Roman-themed intro should furnish some clues - the Goodreads widget on the right should supply even more. Yes, I have been on a little Roman kick since early August, really a rebirth of my enthusiasm for the topic during high school, spurred on by an extremely enthusiastic Latin teacher.
After reading mostly straight history in September (see my recent reads -- I hope to have reviews for all soon), I have set October aside to explore some of the literary side of Rome. The tentative list:
- The Aeneid, by Virgil (the Robert Fagles translation) - I am a little surpised I have not read this foundation stone of western literature before. I am not in a position to comment on this translation, but it is a handsome edition, it is generally praised, and it was produced by two very well-known, respectable classicists. I'll take it.
- The Letters, Books 1-7, by Pliny the Younger - I have the Loeb edition of this enduring, little look into the lives of the Roman upper crust. Sounds fascinating
- Meditations, by Marcus Aurelius - A look into an Emperor's mind -- a Stoic philosopher Emperor at that (don't ask me about proper punctuation; I have no idea)
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